The Swing

The Swing

Ornaments

Ornaments

Lookout

Lookout

1Birdhouse_S

1Birdhouse_S

1r14BF2_S

1r14BF2_S

109CF_S

109CF_S

1Rooms_S

1Rooms_S

Ice, Arkansas

Ice, Arkansas

1WhiteTowerS

1WhiteTowerS

1donuts_S

1donuts_S

1r22DCF_S

1r22DCF_S

1fins01cclb

1fins01cclb

105AF1C2_S

105AF1C2_S

1CA01DCF_S

1CA01DCF_S

1RedTri_S

1RedTri_S

1Engine8

1Engine8

1r6899_03BC_S

1r6899_03BC_S

1CA03BCF_S

1CA03BCF_S

1CA6897_03AC_S

1CA6897_03AC_S

1r13A2_S

1r13A2_S

103AC2F2_S

103AC2F2_S

1MO6335_04A_S

1MO6335_04A_S

1Hotel_S

1Hotel_S

1UshackS

1UshackS

1Chevy_S

1Chevy_S

1r38DCF_S

1r38DCF_S

1mvtruck02abclb

1mvtruck02abclb

1SpaceRide_S

1SpaceRide_S

1r14ACF_S

1r14ACF_S

1BumperCar_S

1BumperCar_S

107AF2_S

107AF2_S

101EF3_S

101EF3_S

Everyday Beauty

Everyday Beauty combines the best aspects of old and new photographic technology to create a unique vision sharing both photographic and painterly qualities, marrying the objective with the subjective and the image with the process. The idea comes from the concept of taking everyday objects and beautifying them into something perhaps best described as hyper-real. At the heart of this work is a 90 year-old brass photographic portrait lens that has unique and distinctive visual qualities designed to beautify or glamorize the likes of silent movie stars. This 1920’s lens was designed for studio usage and long exposures and did not originally include even a timed shutter nor post WWII anti-reflective, color corrective lens coatings. It has been married to a 1950’s large format shutter, mounted onto a modern (1990) era Linhof view camera and equipped to shoot modern medium and large format color negative film. This film is scanned at high resolution, processed through Photoshop as digital darkroom and output into archival pigment prints on fine-art textured paperThis process creates a unique rubric for the photographic process: generally bright lightening situations including reflective surfaces or neon lights, the choice of scenes with a clear central focus and situations calling for shallow depth of field. The result has been to create images in which everyday objects are highlighted, glamorized, idealized; perhaps somewhat akin to how media has always treated and built up celebrities. American objects – a tire swing, hotel signs, amusement rides, farm equipment, factory buildings, streets, old planes, trains and trucks, etc., become beautiful in a in a hyper-realistic way that is lifted and separated from the surrounding world. The resulting images are both thought provocative to the photographer/photographic collector and highly accessible to the painting/print collectors.This series is printed on 17” X 22” paper in a limited edition of 25 per image. A very small edition of 6 will be printed at 36” X 44”.